Fitzcarraldo Editions are the only publisher to have won the Republic of Consciousness Prize twice, so it’s no surprise to see them longlisted again this year. (My copy of The Appointment looks different from the usual Fitzcarraldo blue – I won it in a competition, one of five copies with a cover painted by Katharina Volckmer.)
The narrator of this short volume is a German in London. She has come to the office of one Dr Seligman for an appointment whose nature is at first unspecified. The book we read is her monologue as addressed to him.
The narrator begins by revealing some of her fantasies (let’s say that they involve Hitler and leave it there), and continues to unburden herself. It becomes clear that she is profoundly uncomfortable in her body and with her nationality (feeling, for example, that Germany has not reckoned with its past as well as it may like to think). The former source of discomfort is what this appointment is meant to address; the latter one is why the narrator has approached a Jewish doctor.
The Appointment is densely written, often harrowing, and often drily funny – it shifts mood along with its narrator. There’s a sense that all this – the appointment, and the monologue form itself – is the narrator’s way of taking control. The space of the doctor’s office is private, and by being the one to speak, the narrator can shape what she says, what she reveals about herself. She feels that this is her time and space, and hopefully the chance for a new beginning.
Read my other posts on the 2021 Republic of Consciousness Prize here.
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