Welcome to my first stop on the longlist blog tour for the Swansea University Dylan Thomas Prize. The book I’m looking at today is Flèche, the debut collection by Hong Kong-born poet Mary Jean Chan, a collection that won the Costa Poetry Award.
‘Flèche’ is the French word for ‘arrow’, but it’s also the name of a technique in fencing, a sport that Chan competed in as a young adult. “As a teenager, fencing was the closest thing / I knew to desire,” writes Chan in ‘Practice’, and fencing becomes one of the metaphors she uses to explore the assertion of her identity. In the poem ‘Flèche’:
The day I learnt to lunge, I began to walk differently, saw distance as a kind of desire. Once, my blade’s tip gently flicked her wrist: she said it was the perfect move.
One of the collection’s main themes is the poet’s relationship with her mother. ‘Conversation with Fantasy Mother’ describes an idealised coming out: “You sieved my tears, added / an egg, then baked a beautiful cake.” The reality that Chan presents in the book doesn’t go so smoothly. In ‘Always’, she writes that her mother is “always where I begin…Always the lips wishing / they could kiss those mouths / you would approve of.”
But perhaps the main theme of Flèche is love — romantic and familial love alike. Here’s an example from ‘an eternal &’:
look I say to you / listen watch / how we can make it through another day / on this shore / of lifetimes / we’ll have this ocean / an eternal &
There’s a restless power to Flèche that makes it a memorable collection, well worth a read.
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