I’m a reader of fiction by instinct; I read for experience more than information. This sometimes leaves me with a question when it comes to non-fiction, as happened when my book club chose E.O. Wilson’s The Diversity of Life. The question is: if I can’t assess this book as a work of science (or whatever the book happens to be), what can I fall back on? ‘The quality of the writing’ seems an inadequate answer, not least because it effectively brushes aside the specific nature of a given book.
Eighteen months on, I might now have found an answer, after reading my first non-fiction book of the year: On Immunity: an Inoculation by Eula Biss, the latest essay from Fitzcarraldo Editions. The book starts from Biss hearing about the spread of the H1N1 flu virus, shortly after the birth of her son. The mothers in her social circle discuss whether to vaccinate their children against H1N1, before a vaccine is even available. Biss uses this as a foundation for reflecting on topics such as the different metaphors we use to describe disease and medicine; the perception and reality of risk; and the relationship between immunity and attitudes to the body.
It struck me when reading Biss’ book that here was a kind of writing I hadn’t really come across before. On Immunity is not strictly a scientific text, or a historical account, or a social commentary, memoir, or polemic (though it does have elements of all these things). It feels to me more like a writer responding to an event by thinking her way around a subject; the medium is non-fiction, but it seems to come from a similar impulse as fiction. This (non-fiction that… behaves like fiction? explores like fiction?) is clearly something which has been missing from my reading life, and I want to read more of it. And it also suggests to me that I can still think and write about the experience of reading non-fiction, just as I do with fiction, even if I don’t know about the subject. On Immunity opens up that possibility because the book is effectively discovering its subject as it goes.
So what was my experience of reading On Immunity like? Strangely, perhaps, I found myself less conscious than usual of the effect of language. When I read (for example) Weathering or The Wandering Pine, I was very much aware of the distinct ‘worlds’ being created by the words. It wasn’t like that with Biss’ volume; maybe that’s in the nature of the essay, or at least in the nature of this particular essay. But I did (as I often do with fiction) find myself appreciating how the form of the book contributed to its theme: constantly moving from topic to topic, searching for different angles on the central subject.
These ‘reflections’ posts are meant to be about thinking out loud, and I do feel that I understand my approach to reading non-fiction better. But it’s also clear to me that it will take more reading to bring these thoughts properly into focus; so I expect I’ll be returning to this topic at some point.
25th February 2015 at 1:04 pm
“It feels to me more like a writer responding to an event by thinking her way around a subject; the medium is non-fiction, but it seems to come from a similar impulse as fiction.”
Beautifully put. As a way of exploring these ideas and this species of writing further, I would highly recommend Emmanuel Carrere’s A Russian Novel. Carrere is a master of this particular art, and A Russian Novel is a remarkable piece of work. I think you’d enjoy it a lot!
26th February 2015 at 11:59 am
Thanks, Nina! As it happens, I found a cheap copy of that very Carrere book in the sale at Waterstones just the other week – must bump it up the TBR pile.