Like ‘Apotheosis’. this story draws very much on its context, though in a very different way, as Pulver makes use of not only the title of Null Immortalis, but also the name of its publisher and the wind-turbine imagery on the book’s jacket. So, the assemblage of eight turbines becomes ‘the Null Immortalis of Megazanthus’, which a young Scott Tullis sees at the age of eight. He is immediatley drawn to it as a symbol of the wind (he’s also saving up for a kite), but the Null Immortalis will cast a long shadow over his life and family.
Pulver’s prose is oblique and fragmentary, making for a dense four pages. I didn’t grasp everything about ‘Icarus Above…’, but I do appreciate its singular atmosphere and the rush of its telling.