Tag: BBC National Short Story Award

Jon McGregor, ‘If It Keeps On Raining’ (2010)

This is perhaps the most transporting story on the shortlist, in that (I think) it takes us the most thoroughly into the mind of its protagonist, which is quite an unsettling place to be. McGregor’s protagonist is a man who lives on his own in a little riverside house, and does nothing much more than watch the fisherman on the opposite bank and the boats that sometimes go past, and work on his raft and treehouse, the latter being his preparations for the unceasing rain and torrential floods that he believes are coming.

McGregor sketches in the history of this man very subtly. Reading between the lines, we discover that he was a police officer at the Hillsborough  disaster, who subsequently left the force because of the psychological trauma, and no longer lives with his wife and children. He dwells on the disaster still:

If it’s been raining a lot…[debris] gets swept along like small children in a crowd, like what happens in a football match if there are too many people in not enough space and something happens to make everyone rush, if they all start to run and then no one person can stop or avoid it, they all move together…

This almost stream-of-consciousness style of delivery gives a sense of intense preoccupation with whatever the man is thinking about at the time, be it past, present, or future; but there’s also a sense of inertia at times — he thinks about what accidents might befall the people out there on the boats, but can’t really see himself doing anything to help if one occurred.

This sense extends to the coming floods: on the one hand, the protagonist has asked the anonymous narrator to tell us these important things; on the other, he imagines that no one will listen, and he’ll only save himself, and his children if he sees them. The parallel McGregor makes between the rains and Hillsborough is effective (our man couldn’t stop a flood of people, but perhaps he can make up for it with how he handles a flood of water);  and the whole story a superb portrait of a man deeply scarred by the past, holding on to some hope for the future.

Sarah Hall, ‘Butcher’s Perfume’ (2010)

A nicely observed chronicle of the friendship between two Cumbrian girls: Kathleen, the narrator; and Manda, the tough daughter of the notorious Slessor family I love the way that Hall captures details in this story, such as the almost osmosis-like fashion in which friendships can develop at school. In one lesson, the two girls scribble on each other’s exercise books, then Manda ‘borrows’ a pen from Kathleen, all without a word being spoken. And then:

Something was granted to us afterwards. We were past simply knowing the name of the other and what form we were in. We were allowed to say Hiya in passing, in front of other friends, at the gates of the school, or in Castletown going down to the chippy or the arcade.

The Slessors themselves are portrayed as a family apart from the rest of the community, both physically (with their big house built on the profits of industry, a house  that ‘had no business being built in Cumbria’) and socially (they have the reputation of coming from wilder, harder stock than most — ‘the ones that lit the beacons when other folk hid in cellars and down wells’); an incident involving a horse at the end of the story shows how mysterious the family, and the codes by which they operate, remain to Kathleen.

There’s also a strong sense of place in ‘Butcher’s Perfume’; the Cumbria portrayed here is rather like the Slessors in its harshness. All in all, Hall’s is a very atmospheric piece.

Aminatta Forna, ‘Haywards Heath’ (2010)

Years (at least thirty, at a guess) after graduating, Attila is a successful doctor with an international reputation. During a spell in London as a visiting consultant, he hears the name of Rosie, an old flame he hasn’t seen since his university days. Discovering that she has taken early retirement, Attila decides to look Rosie up; but, on arriving at her old hometown of Haywards Heath, he finds that the woman he knew has been taken by early-onset dementia.

Only two stories into the shortlist, and already I disagree with the judges. Forna leaves the events of her plot to speak for themselves, and I find the clean understatement of her telling more affecting than Constantine’s denser treatment of his theme. In addition to the portrait of Attila’s witnessing what has happened to Rosie, there’s the elegance of having Haywards Heath represent both Attila’s success (the town’s name was always difficult for Rosie’s overseas friends to pronounce, but now Attila says it perfectly) and Rosie’s decline (any success she had in her career has gone with the arrival of her illness, and she has returned home). In all, this is a very nicely realised piece.

David Constantine, ‘Tea at the Midland’ (2010)

The shortest of the Award nominees and not, to be honest, one that says ‘award-winner’ to me on its own terms; it’s good, yes, but it doesn’t knock my socks off. A couple take afternoon tea at a seaside hotel; she has brought him to admire a frieze there; he can’t appreciate it, because he refuses to separate the artwork from the criminal actions of the artist. Simmering beneath this immediate argument is a wider difference in worldview, exemplified in the text by the lengthy, discursive passages associated with the woman (such as the opening, when she admires the graceful movements of surfers out at sea), and the man’s terser dialogue. Constantine’s story is an effective and economical portrait of the central couple’s relationship; but it strikes me as good rather than excellent.

The BBC National Short Story Award 2010

Tomorrow is National Short Story Day; to mark the occasion, I’m blogging the shortlist of this year’s BBC National Short Story Award – namely, these stories:

David Constantine, ‘Tea at the Midland’
Aminatta  Forna, ‘Haywards Heath’
Sarah Hall, ‘Butcher’s Perfume’
Jon McGregor, ‘If It Keeps On Raining’
Helen Oyeyemi, ‘My Daughter the Racist’

The above titles will turn into links as I make my way down the list.

What I won’t be doing, however, is trying to predict the winner, because that was announced at the end of last month. David Constantine’s story was declared the winner; as it’s first on the list, I’ll be interested to see what standard it sets for the rest.

EDIT, 21st Dec: I’ve now written a concluding post in which I pick my winner.

Further links
Podcasts of the shortlisted stories
The Award at BBC Radio 4
The Award at Theshortstory.org.uk
Booktrust, which administers the Award
Comma Press, publishers of the anthology

© 2024 David's Book World

Theme by Anders NorénUp ↑

%d