Category: Richards Jess

My favourite books of 2013

I love end-of-year list time, because it’s a chance to reflect on the best moments. I read over 150 books this year, which I’m sure must be a record for me, and is certainly unusually high. There were plenty of highlights amongst all those books, but I have managed to sift them down to twelve, my usual number for these lists.

You can see my previous best-of-year lists here: 2012, 2011, 2010, 2009. I’ve kept changing the format over the years (ranked or unranked; books from all years, or just the year in question); I’ve settled on including books from all years of publication (as long as I read them for the first time this year); but I think it’s more fun to rank them, so I’m also going to do that. And, taking a leaf from Scott Pack’s book, I’m going to list them in reverse order.

So, here (with links to my reviews) are my Top 12 Books of 2013:

70 acrylic

12. Viola Di Grado, 70% Acrylic 30% Wool (2011)
Translated from the Italian by Michael Reynolds (2012)

Of all the books I read in 2013, this may be the one that most thoroughly depicts the real world as a strange and treacherous landscape. This is a novel about the power of language to shape perception, as it depicts a young woman gradually discovering a new way to look at life (and, just possibly, finding love) when she meets a boy who teaches her Chinese.

11. Andrew Kaufman, Born Weird (2013)

This is the third Andrew Kaufman book that I’ve read, and he just gets better and better. Born Weird tells of five siblings who were given ‘blessings’ at birth by their grandmother, which she now plans to undo on her death-bed. Kaufman has a wonderfully light touch with the fantastic: there’s just enough whimsy to illuminate the family story, and there’s real bite when the novel gets serious.

10. Project Itoh, Harmony (2008)
Translated from the Japanese by Alexander O. Smith (2010)

A searching exploration of self-determination and authoritarianism in a future where remaining healthy is seen as the ultimate public good. One of the most intellectually engaging books I read all year.

9. Colm Tóibín, The Testament of Mary (2012)

Chalk this one up as the book I liked that I wasn’t expecting to. A short but powerful character study of a mother becoming distanced from her son as he is swept away by social change and the great tide of story. This would have been my second choice for the Man Booker Prize. (My first choice? That’s further down/up the list.)

twelve tribes8. Ayana Mathis, The Twelve Tribes of Hattie (2012)

A wonderfully fluid composite portrait of an African-American family making their way in the North across the twentieth century. Just recalling the range and vividness of this novel makes me want to read the book again.

7. Sam Thompson, Communion Town (2012)

Ten story-chapters that make the same fictional city seem like ten different places. Communion Town depicts the city as an environment crammed with stories, each vying for the chance to be told. It’s invigorating stuff to read.

6. Mohsin Hamid, How to Get Filthy Rich in Rising Asia (2013)

With one of the strongest voices I’ve encountered all year, this is a nuanced account of a man’s pragmatic rise from childhood poverty to business success – with a keen sense that there are costs to be borne along the way. The second-person narration, which could so easily have been a gimmick, works beautifully.

all the birds

5. Evie Wyld, All the Birds, Singing (2013)

It has been really exciting over the last five years to see fine writers of my age-group emerge and establish names for themselves. Evie Wyld is one such writer; her debut was on my list of favourite books in 2009, and now here’s her second novel. Wyld remains a superb writer of place, in her depiction both of the English island where sheep farmer Jake Whyte now lives, and of the Australia that Jake fled. I also love how elegantly balanced this novel is, between the volatile past and the present stability that’s now under threat.

4. Alina Bronsky, The Hottest Dishes of the Tartar Cuisine (2010)
Translated from the German by Tim Mohr (2011)

Here’s the most memorable character of the year for me: the gloriously ghastly Rosa, who will do anything for her family if it suits her, and will do anything to them if it suits her better. This book is a joy – blackly hilarious, with a bittersweet sting.

3. Shaun Usher (ed.), Letters of Note (2013)

My non-fiction pick of the year. This is a lavish collection of facsimile letters, which is both beautiful to look at, and a window on very personal aspects of history.

2. Jess Richards, Cooking with Bones (2013)

Jess Richards’ work was my discovery of the year: Cooking with Bones is a magical novel that defies easy summary; but it includes a girl who doesn’t know who she wants to be, when all she can do is reflect back the desires of others; supernatural recipes; and one of the most richly textured fictional worlds I’ve come across in a long time. More fool me for not reading Richards’ debut, Snake Ropes, last year; but at least I have the wonderful promise of that book to come.

luminaries1. Eleanor Catton, The Luminaries (2013)

Once in a while, a book will come along that changes you as a reader, affects you so deeply that the experience becomes part of who you are. Eleanor Catton’s The Rehearsal was like that for me, which is why it topped my list of books read in 2009. With The Luminaries, it has all happened again. Several months after reading it, I am in awe at the novel’s range and richness; yet I feel that I’ve still glimpsed only a fraction of what Catton has achieved in the book. I was overjoyed at her Man Booker win, and can only hope that it will bring Catton’s work to the attention of as many people as possible. My wish for all readers is that they find books which mean as much to them as a work like The Luminaries means to me.

Now, what about you? What are your favourite books of the year? Also, if you’ve read any on my list, let me know what you thought.

Read This: Cooking with Bones by Jess Richards

I have a new review up at Bookmunch, and wanted to flag this one up especially, because the book is so good. In fact, it’s my favourite read of the year so far. Without further ado, I present to you Cooking with Bones by Jess Richards


Amber looks at her sleeping sister Maya and sees a thousand phantom faces. Maya is a formwanderer, a “mirror of want” – a human specially engineered so that anyone who looks at her sees her as whatever they want to see, even if they’re not aware of what that is. Formwanderers have a difficult existence – there are reports of them killing people because their observers unwittingly desire it – but perhaps Maya’s greatest problem is that she doesn’t know what to be for her self.

When their parents announce that they have found jobs for the sisters that will split them up, Amber and Maya flee their home city of Paradon to a coastal village. They take up refuge in an abandoned cottage, where Amber finds a strange recipe book, cooking utensils made of bone, and cupboards full of ingredients. Discovering that more food is regularly left outside the front door, Amber sets about trying out some recipes, unaware of the effects they have on the outside world. Meanwhile, the villagers leave their tithe of goods out for the witch Old Kelp; but one child, Kip, is about to stumble across a secret.

Cooking with Bones is, quite simply, one of the best books I have read this year. Its vision is so confident and complete, its language a joy. One has the sense that Paradon houses endless stories waiting to be told – Amber’s new job at the Tear Lab, “where sadness is measured”, is just one tantalising detail – but they are not to be told here, as the city is swiftly left behind. This is the depth of texture with which Jess Richards imbues her novel’s world, and it is exhilarating to read. The recipes dotted throughout the text also evoke a real sense of magic:

“Sieve together the cornflour and sand, thinking of sand clocks, of life cycles, of beginnings and endings, of cliffs crumbling to rocks to stones to sand, and footprints leading along an inevitable path.”

As for the story, it strikes me most of all as a tale of growing up. The three young protagonists are all, in their own ways, being held back: Maya is so used to (literally) existing for other people that she can’t work out what she wants; Amber doesn’t really know what she wants either, but feels that primal want all the same; Kip just wishes to be Kip, though others place obstacles in the way. All will find some sort of resolution, though a happy ending is not guaranteed.

Cooking With Bones is a novel that draws you so completely into its world that it is hard to step out again. Whilst you’re there, it is a delight. Now I need to go back and read Richards’ debut, Snake Ropes; and you should definitely read this book.

Any Cop? Without doubt. As far as I’m concerned, with this book, Jess Richards has established herself as an important new voice in British fantastic literature.

(Elsewhere: read other reviews of Cooking with Bones at Workshy Fop and Learn This Phrase. They also think it’s great.)

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