Category: Trevelyan Gerttrude

A selection of 2023 favourites

I don’t know why it happened, but there were times this year when I just fell out of the habit of reading. This is not what I want, and my aim for 2024 is to find my way back in – with this space to help. For now, though, I’m looking back on 2023. It didn’t feel right to do my usual countdown of twelve books, so instead I’ve picked out six favourites, in no particular order:

Appius and Virginia (1932) by Gertrude Trevelyan 

It sounds as though it will be whimsical: the tale of a woman who buys an orang-utan with the aim of raising it as a human. What it becomes, though, is a chilling exploration of the unbridgeable gap between one mind and another. 

Whale (2004) by Cheon Myeong-kwan
Translated from Korean by Chi-Young Kim (2022)

I won’t pretend I always knew what I was reading with this book, but I do know I enjoyed it. Whale is a dance through recent Korean history, with trauma, violence, humour and magic all present in the stories of its larger-than-life characters. 

Is Mother Dead (2020) by Vigdis Hjorth
Translated from Norwegian by Charlotte Barslund (2022)

Johanna returns to Oslo after almost thirty years, speculating intensely over what may have happened to her mother. What I found most striking about this novel is how it transforms our perception of Johanna without changing the essential tone of her narration. 

Gentleman Overboard (1937) by Herbert Clyde Lewis

I wasn’t sure what to expect from this portrait of a man whose layers of gentility are literally stripped from him when he falls into the sea. I found it quite powerful, especially in how it highlights that the smallest things can be both significant and insignificant, depending on the viewpoint.

War with the Newts (1936) by Karel Čapek
Translated from Czech by M. and R. Weatherall (1937)

A shape-shifting satire in which intelligent salamanders are first exploited by humans, and then rebel against them. I was pleased to find that the novel still has considerable bite, and appreciated that it couldn’t be reduced easily to a single metaphor or interpretation. 

Time Shelter (2020) by Georgi Gospodinov
Translated from Bulgarian by Angela Rodel (2022)

I love how the canvas of this novel widens, from a clinic that helps dementia patients by recreating the past, to a whole continent retreating into nostalgia. Time Shelter examines the dangers of becoming fixated on the past, and the narrator’s memory fails him, suggesting there is no shelter from time after all. 

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There are my reading highlights of 2023. You can find my round-ups from previous years here:

2022, 2021202020192018, 20172016201520142013201220112010, and 2009.

You can also fined me on social media at Instagram, Facebook, Bluesky, and X/Twitter. See you next year!

Appius and Virginia by Gertrude Trevelyan

A Happy New Year to you! I’m starting 2023 on the blog with an obscure classic that took me by surprise…

Gertrude Trevelyan published eight novels before she died tragically young in 1941, from injuries incurred when her home was bombed in the Blitz. She fell into obscurity, but a few years ago her work was rediscovered by Brad Bigelow of the Neglected Books Page. This led eventually to her debut novel, 1932’s Appius and Virginia, being reissued. It’s the story of a woman who raises an orang-utan as a human child, and from that description, I was expecting to be rather whimsical. It really isn’t. 

Virginia Hutton is on her own aged 40 and frustrated with life. She decides to conduct an experiment to see if an ape can be nurtured into humanity. This is her chance to leave a mark:

All her will power, all her suggestive force, her whole reserve of nervous and mental energy, was not too much to expend on this experiment. For If it succeeded she would indeed have achieved something. She would have created a human being out of purely animal material, have forced evolution to cover in a few years stages which unaided it would have taken aeons to pass…

Virginia buys a young orang-utan, names him Appius, and retreats from London to the countryside to set about her task. It isn’t easy, because Appius experiences the world on a much more abstract level than Virginia, and often he doesn’t understand what she’s trying to tell him, or why she does what she does. But eventually, Appius gains skills such as rudimentary speech and the ability to read, and Virginia feels she’s making progress. Oh, what a future she imagines for Appius – and herself:

She saw him, in Eton suit and shining collar, bowing over an armful of gilt and crimson tomes while the oak-panelled hall resounded with discrete, kid-gloved applause. She saw herself in the front row, surrounded by secretly envious parents and gratified masters, clapping shyly, blushing a little at this honour paid to her big boy, doing him credit by her clothes, her sleight figure, her youthful but not too girlish appearance.

Key to Virginia’s approach, though, is keeping Appius unaware of his true animal nature. There are times when this breaks through despite her best efforts, and the whole reading experience becomes something much rawer, elemental. The unbridgeable gap between Appius and Virginia becomes more apparent as the novel reaches a higher pitch – until the ending, which gives me chills just thinking back on it.

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