This is the second year running in which Jon McGregor has been shortlisted for the Award, which would be notable in itself; but, more than that, it’s also the second time in a row that has been runner-up. I very much liked McGregor’s nominated story last year; and he’s written another superb piece in this time around. ‘Wires’ is the story of a student named Emily Wilkinson who has an accident on the motorway when a sugar-beet smashes through her windscreen. Whilst waiting for the police to arrive, she dwells on her life, particularly her relationship with doctoral candidate Marcus, over which she has her doubts.
As with last year’s story, I’m struck by how completely McGregor evokes his protagonist’s mindset through his prose. The title of ‘Wires’ seemingly refers to neural pathways; and the rambling, jagged passages of narration evoke the feeling of a mind working than one can comprehend. Here, for example, is the opening of the story:
It was a sugar-beet, presumably, since that was a sugar-beet lorry in front of her and this thing turning in the air at something like sixty miles an hour had just fallen off it. It looked sort of like a giant turnip, and was covered in mud, and basically looked more or less like whatever she would have imagined a sugar-beet to look like if she’d given it any thought before now. Which she didn’t think she had. It was totally filthy. They didn’t make sugar out of that, did they? What did they do, grind it? Cook it?
All this and more goes through Emily’s mind before the sugar-beet even hits her car. Her thoughts flit from subject to subject in this way, with these lengthier passages punctuated by terser dialogue from the two men who saw Emily’s accident and have come to help; when they speak, the effect is of reality intruding in on the world of thought, in order to reassert itself.
McGregor also uses his narrative style to subtly suggest that maybe Emily hasn’t been left as unscathed by the incident as she had assumed. I’d say ‘Wires’ was a worthy runner-up, and will be interested to see how the winning story compares.
This is one of a series of posts reviewing the shortlist for the 2011 BBC National Short Story Award. Click here to read my other posts on the Award.