Up to now, I’ve been reluctant to try Lars Iyer’s novels, because I don’t know that much about philosophy. With a new one published, it was time to have a go. I mention this up front o you know where I’m coming from in what follows. This is how I read My Weil…
Welcome to Manchester, as created through the thoughts and voices of a group of PhD students at All Saints University’s Centre for Disaster Studies. There is something uniquely authentic about this group, at least as far as they’re concerned. They see the PhD as the highest, purest form of study, “a passion of studious solitude”.
In this, they contrast themselves with the PhD students from the neighbouring red-brick institution, who have never known what it is to struggle to write. They’re far removed from All Saints’ homogenous undergraduate population (“Student-drones, preparing for the world of non-work. Student dullards, being processed for a society of busy nullity.”) And these humanities PhD students are the very antithesis of – shudder –Business Studies PhD students (“Where’s their doom? Where’s their crushedness? Their disease of the soul? There doesn’t seem to be anything wrong with them.“)
Throughout My Weil, our group rails against the decline of academia into endless seminars on professional skills. They make a film to highlight the futility of making art in the present day. They induct hapless “Business Studies Guy” into the ways of real study, pursued for its own sake even if it might never reach a conclusion.
The swirl of voices surrounding the reader makes the tone of Iyer’s novel shift from humour to despair to yearning, and back again. Our group of students may think their concerns are more substantial than most, but there’s a level of weight even beyond them. Into their number comes one Simone Weil, who essentially has the same outlook as the philosopher Weil. Her greater engagement with the possibility of God challenges the PhD students’ view of the world. Perhaps the most deeply affected is Johnny, who sees in Simone’s level of conviction something he wants to reach for. Pockets of solemnity burst from the throng of conversation, rising to an end that has a texture all of its own.
Published by Melville House.