The Mountain and the Wall is both the first novel by Alisa Ganieva, and the first in English translation from the Russian republic of Dagestan. I have to be honest and admit straight away that I’d never even heard of Dagestan until I read this book, so I come to write this review more tentatively than I might usually. In a way, though, that’s quite appropriate; because it seems to me that Ganieva’s novel is very much concerned with hearsay and the limits of knowledge.
The prologue, set at a social gathering, is a cinematic carousel of anecdotes told by a succession of characters, until someone realises a critical fact that nobody knew. In the first chapter, we find Ganieva’s protagonist Shamil visiting a village of goldsmiths, on assignment from a newspaper to write about their traditional crafts – though he soon discovers that these are losing out to cheaper tourist trinkets, which is not the story he’s there to tell. These set the scene for a tale of hidden information, not least of which is the rumour that the government is building a wall to separate off Russia’s Caucasus republics – a wall that we hear plenty about, but never see.
Carol Apollonio’s translation from the Russian moves through a range of different styles, particularly as it quotes from various fictional texts – including a novel which Shamil reads, and about he which he might feel differently if he knew what we find out about its author. In all, The Mountain and the Wall strikes me as a story of characters on shifting ground, trying to find their way with incomplete information – and the ultimate sense is that, to go forward, they need to know where they’ve been.
The Mountain and the Wall is published by Deep Vellum.