Tag: awards

Awards news

Here’s a round-up of some literary award winners, shortlists and other bits and pieces…

Costa Book Awards

The category winners were announced this week:

  • Novel: Life After Life by Kate Atkinson (Doubleday)
  • First Novel: The Shock of the Fall by Nathan Filer (HarperCollins)
  • Biography: The Pike by Lucy Hughes-Hallett (Fourth Estate)
  • Poetry: Drysalter by Michael Symmons Roberts (Jonathan Cape)
  • Children’s Book: Goth Girl and the Ghost of a Mouse by Chris Riddell (Macmillan)

The overall winner will be announced on Tuesday 28 January. There’s also a Short Story Award, which is voted for by the public. You can read (or listen) to the shortlisted stories and vote here.

Transmission Prize

A prize for the communication of ideas, organised by Salon London. (The descriptions of the nominees here are taken from the prize’s website.)

  • Olivia Laing for her exploration of what drives writers to drink, in her psycho-geographic journey across the USA.
  • Professor David Nutt for giving us the truth, the whole truth and nothing but the absolute truth about drugs.
  • John McHugo who, based on decades of experience, has created an understandable, and concise history of the Arab world.
  • Biologist Aarathi Prasad showed us how biology is redefining the rules of sex, and predicted the end of men.
  • Lloyd Bradley for piecing together 100 years of black music in the capital and giving us his sounds of London.
  • Perfumer and writer Sarah McCartney showed us how we can move both in time and our own experience through smell.
  • Barbara Sahakian who explored the ethical and moral questions surrounding neuro-cognitive enhancers, aka smart drugs.
  • Epigeneticist Tim Spector who showed us how we can change our genes, both those we inherit and those we pass on.

The winner will be announced on Thursday 6 February.

BSFA Awards

BSFA members can nominate works for this years awards until next Tuesday, 14 January.

Fiction Uncovered

Not strictly an award, but does a valuable job all the same of recognising writers who may otherwise be overlooked. It was announced today that Fiction Uncovered has received funding for another two years, with 2014’s list of titles to be announced in June. I look forward to seeing what’s on there!

2013 Man Booker shortlist

This year’s shortlist for the Man Booker Prize has been announced:

  • We Need New Names by NoViolet Bulawayo (Chatto and Windus)
  • The Luminaries by Eleanor Catton (Granta)
  • Harvest by Jim Crace (Picador)
  • The Lowland by Jhumpa Lahiri (Bloomsbury)
  • A Tale for the Time Being by Ruth Ozeki (Canongate)
  • The Testament of Mary by Colm Tóibín (Penguin)

Of course, I’m delighted that The Luminaries has made it to the shortlist (click on the link above if you’d like to read more about why it is one of my favourite books of the year). More generally, I really like this as a shortlist: there are some interesting books, and it is properly diverse and international.

As to whether I’ll read the shortlist before the winner is announced on 15 October… I might have a go, actually; after all, I’ve read the longest one already, and most of the others are relatively short. I will update the above list with links to any reviews I write. In the meantime, congratulations to all the authors and publishers concerned.

The Booker’s (baker’s) dozen 2013

This year’s Man Booker Prize longlist is out, so let’s take a gander:

  • Tash Aw – Five Star Billionaire (Fourth Estate)
  • NoViolet Bulawayo – We Need New Names (Chatto & Windus)
  • Eleanor Catton – The Luminaries (Granta)
  • Jim Crace – Harvest (Picador)
  • Eve Harris – The Marrying of Chani Kaufman (Sandstone Press)
  • Richard House – The Kills (Picador)
  • Jhumpa Lahiri – The Lowland (Bloomsbury)
  • Alison MacLeod – Unexploded (Hamish Hamilton)
  • Colum McCann – TransAtlantic (Bloomsbury)
  • Charlotte Mendelson – Almost English (Mantle)
  • Ruth Ozeki – A Tale for the Time Being (Canongate)
  • Donal Ryan – The Spinning Heart (Doubleday Ireland)
  • Colm Tóibín – The Testament of Mary (Viking)

I have read precisely none of those – not that that’s about to stop me from opining about the list…

Given that The Rehearsal remains my favourite of all the books I’ve read during the lifetime of this blog, I’m naturally very pleased to see Eleanor Catton on the longlist. The Luminaries has not been published yet, but it promises to be a great big tome set in the New Zealand goldrush of the 1860s, taking in astronomy, murder mysteries, and more besides. I’m really looking forward to it.

The other writer I am particularly pleased to see longlisted is Alison MacLeod. I know her more as a fine writer of short stories, but I’m certainly intrigued to read one of her novels. Unexploded, set in wartime Brighton, isn’t out yet either, so there’s not much more I can say there.

Looking at the list more generally, I think the range of author nationalities is nice to see. The Booker has perhaps been starting to look a mite parochial in recent years, having gone to well-established English authors for four years in a row. With only Jim Crace really fitting that description here, we may well see a different outcome this year.

The longlist is lighter on small-press titles than I’d have liked. There’s only really Sandstone Press (and congratulations to them on a second longlisting, following The Testament of Jessie Lamb a couple of years ago). You could add in Canongate, Granta and Bloomsbury as independent publishers, I suppose – but they’re not small presses in quite the same way. After such a strong showing for small publishers last year (And Other Stories, Myrmidon and Salt – half the shortlist), I can’t help feeling a little disappointed about that.

Which of the books would I most like to read? Taking the Catton and MacLeod books as givens… The Kills has me especially intrigued – a vast political thriller cross-pollinated with a literary mystery, which was first published as a series of enhanced ebooks with added audio and video. Five Star Billionaire and We Need New Names sound interesting. I’ve heard so many good things about A Tale for the Time Being that I really ought to give it a go… That’s a full shortlist right there.

First thoughts on Clarke Award submissions

Clarke season began today with the publication of the submissions list over on the SFX website. Here are some initial thoughts:

First of all, the length: 82 books, which is a lot for an award that normally peaks at around 60 (though there continues to be a low proportion of books by women – and it may be even lower than usual this year). This upsurge seems largely to be down to a greater number of YA titles being submitted. It’s good that the Clarke’s submissions base is broadening in this way, though of course it remains to be seen whether that will have much impact on the shortlist.

Submission of non-genre titles continues to be hit-and-miss, with some publishers (such as Granta and Random House) clearly keen to engage with the Clarke Award; but no submissions at all from, say, Simon & Schuster (publishers of Karen Thompson Walker’s The Age of Miracles) or Bloomsbury (publishers of Liz Jensen’s The Uninvited). From the genre imprints, perhaps the most notable omission is Peter F. Hamilton’s Great North Road.

Turning to what actually has been submitted, I think the book that most surprises me is Kimberly’s Capital Punishment by Richard Millward, which I hadn’t had down as being sf (which is not to say that it necessarily is, because there are always borderline cases and outright fantasy amongst the submissions). It’s a pleasure to see Adrian Barnes’ Nod (one of my favourite reads of last year) in the pool; and I’m now intrigued by the sound of The Dream Killer of Paris, a book that was previously unknown to me.

The shortlist will be announced on 4 April, which will sadly be too late for there to be a Not the Clarke panel at this year’s Eastercon. We can still try to guess the shortlist, but I’m not going to do that just yet. At first blush, though, I think I could narrow the submissions list down to about a dozen likely contenders; and I expect we’ll see a shortlist that skews towards core genre. But the Clarke is rarely predictable, so I could be entirely wrong. As ever, I look forward to finding out.

Award shortlists: BSFA and Kitschies

Some thoughts on two sets of sf award shortlists which were announced today.

BSFA Awards

The BSFA Awards are voted on by the membership of the British Science Fiction Association. The shortlists are made up of the works which received the most nominations from members.

Best Novel
“Dark Eden” by Chris Beckett (Corvus)
“Empty Space: a Haunting” by M. John Harrison (Gollancz)
“Intrusion” by Ken MacLeod (Orbit)
“Jack Glass” by Adam Roberts (Gollancz)
“2312” by Kim Stanley-Robinson (Orbit)

No great surprises here. Harrison, Roberts, and Robinson all felt like shoe-ins to me; Beckett and MacLeod are well-respected names within the genre. It’s a solid, albeit familiar, list – but the fact that it’s all-male is not good at all.

Best Short Story
Immersion” by Aliette de Bodard (“Clarkesworld” #69)
“The Flight of the Ravens” by Chris Butler (Immersion Press)
“Song of the Body Cartographer” by Rochita Loenen-Ruiz (“Phillipines Genre Stories”)
“Limited Edition” by Tim Maughan (1.3, “Arc Magazine”)
Three Moments of an Explosion” by China Mieville (“Rejectamentalist Manifesto”)
“Adrift on the Sea of Rains” by Ian Sales (Whippleshield Books)

A more diverse list in terms of its authors (though, as Niall Harrison pointed out to me on Twitter, these writers are still ‘known’ names within the field). The only one I’ve read myself is the Sales, and I think it deserved its place; though I have also heard good things about the de Bodard and Maughan. My overall impression of both fiction shortlists is of works mostly from the centre of the field which are trying to push outward in terms of what they do. That’s no bad place for the BSFA Awards to be.

Best Artwork
Ben Baldwin for the cover of “Dark Currents”(Newcon Press)
Blacksheep for the cover of Adam Roberts’s”Jack Glass” (Gollancz)
Dominic Harman for the cover of Eric Brown’s”Helix Wars” (Rebellion)
Joey Hifi for the cover of Simon Morden’s “Thy Kingdom Come “(Jurassic London)
Si Scott for the cover artwork for Chris Beckett’s “Dark Eden” (Corvus)

The Jack Glass cover is the standout piece here for me – I think it’s just beautiful.

Best Non-Fiction
“The Complexity of the Humble Space Suit” by Karen Burnham (“Rocket Science, “Mutation Press)
The Widening Gyre” by Paul Kincaid (“Los Angeles Review of Books”)
“The Cambridge Companion to Fantasy Literature” by Edward James and Farah Mendlesohn (Cambridge University Press)
The Shortlist Project” by Maureen Kincaid Speller
The World SF Blog“, Chief Editor Lavie Tidhar

An essay on technology and history. A review of three anthologies that becomes a meditation on the state of sf. A critical survey of fantasy. A set of in-depth reviews. A blog which continues to be a key resource for the field. Quite a task of comparison!

The Kitschies

The Kitschies are juried awards intended to ‘reward the year’s most progressive, intelligent and entertaining works that contain elements of the speculative or fantastic.’

Red Tentacle (Novel)
Jesse Bullington’s The Folly of the World (Orbit)
Frances Hardinge’s A Face Like Glass (Macmillan)
Nick Harkaway’s Angelmaker (William Heinemann)
Adam Roberts’ Jack Glass (Gollancz)
Julie Zeh’s The Method (Harvill Secker)

Given their remit and juried nature, I’d expect the Kitschies to range more widely than the BSFA Awards. I think they have with this list, which takes in YA and mainstream-published works. I’ve read the Harkaway and Roberts, and am happy to see them here. My previous experience of Hardinge’s work has been positive, though my previous experience of Bullington’s hasn’t. I’m pleased to see the Zeh as a book from beyond genre circles that’s been well received as far as I’ve seen. Yes, this is an interesting list.

Golden Tentacle (Debut Novel)
Madeline Ashby’s vN (Angry Robot)
Jenni Fagan’s The Panopticon (William Heinemann)
Rachel Hartman’s Seraphina (Doubleday)
Karen Lord’s Redemption in Indigo (Jo Fletcher Books)
Tom Pollock’s The City’s Son (Jo Fletcher Books)

Well, the Lord was one of my favourite reads of last year, so I’m very pleased to see that on this list. The other books, I don’t really know. I’ve seen or heard positive opinions of the Ashby and Pollock, but nothing either way about the Hartman. The Fagan is a mainstream title which I know has been received positively, but I didn’t have it down as fantastic – I must take a look.

Inky Tentacle (Cover)
La Boca for Ned Beauman’s The Teleportation Accident (Sceptre)
Oliver Jeffers for John Boyne’s The Terrible Thing that Happened to Barnaby Brocket (Doubleday)
Tom Gauld for Matthew Hughes’ Costume Not Included (Angry Robot)
Peter Mendelsund for Ben Marcus’ Flame Alphabet (Granta)
Dave Shelton for his own A Boy and a Bear in a Boat (David Fickling Books)

A strikingly different list from the BSFA equivalent. I think I’d go for Shelton’s cover myself – there’s something about its starkness.

My BSFA short fiction nominations

Midnight tomorrow is the deadline to submit nominations for this year’s BSFA Awards. I sent mine in yesterday, with a view to suggesting things that might otherwise be overlooked. I won’t go over the novels I nominated, because they’re mostly covered elsewhere. But coming up with  short fiction ideas made me dig further into my reading from last year, and it might be a little more interesting.

I’m aware that most of these will be long shots (though you never know…); I’ll probably be the only person in the BSFA who’s read some of them. But I can highlight stuff all the same; so here, in no particular order, is what I nominated:

‘Countless Stones’ – Lucy Wood

I couldn’t neglect my favourite book of short fiction from 2012, so here’s a story from Diving Belles. ‘Countless Stones’ is probably the strongest fantasy story in the collection (some of the tales have a lighter fantastic touch than others), and it really illustrates Wood’s approach to combining the supernatural and mundane, as her protagonist treats turning to stone yet again as just another inconvenience, no worse than having to deal with an ex-partner.

‘Black Box’ – Jennifer Egan

This is the story from the New Yorker‘s science fiction issue that was also serialised on Twitter. We had a good discussion about it on the blog last summer. It’s a flawed story, but also an interesting one, and I thought it should have a chance to be considered.

‘The Lonely Hunter’ – John Grant

John Grant is a friend, but I nominated this novella (published as a stand-alone volume by PS) because of how much I enjoyed its blurring of reality and fiction.

‘How We Ran the Night’ – Keith Ridgway

A story/chapter from Hawthorn & Child. I couldn’t call the book as a whole speculative fiction, for all that it shares some of the same sensibilities. But this particular piece toys with the idea of a fantastical society of wolves living in London, and is worth attention in its own right.

‘Ghost in the Machine’ – Christopher Parvin

There are a number of sf stories in the latest Bristol Prize anthology, but I decided to limit my nominations to one story per book, and this is it. I found Parvin’s take on the idea of robots living alongside humans amusing – and its collage structure works well, too.

‘Switchgirls’ – Tania Hershman

This piece from Still is particularly short, but carries emotional heft and is nicely ambiguous.

‘The Kendal Iconoclasm’ – Paul Rooney

One of a handful of fantastic stories from Rooney’s collection Dust, this weaves horror out of characters’ awareness that they’re in a story and can’t escape.

Before I finish, a note on one of my non-fiction nominations. John Mullan’s dismissive attitude towards science fiction is well documented, but I nominated him for his Guardian Book Club series on Iain M. Banks’s Use of Weapons. This nomination wasn’t entirely frivolous: when he’s focused on analysing the book, Mullan’s critique is engaged and engaging. Yet there’s still the odd swipe at the genre; the shifts in tone are quite bizarre. But, for all that, I thought the articles were worth acknowledging.

The BSFA Award shortlists will be published next week – I look forward to seeing what’s on there.

Man Asian Literary Prize 2012

Another award shortlist today, this one for the Man Asian Literary Prize:

  • Between Clay and Dust by Musharraf Ali Farooqi (Pakistan)
  • The Briefcase by Hiromi Kawakami (Japan)
  • Silent House by Orhan Pamuk (Turkey)
  • The Garden of Evening Mists by Tan Twan Eng (Malaysia)
  • Narcopolis by Jeet Thayil (India)

The two books that immediately jump out at me there are the Tan and the Thayil, because of course they were also shortlisted for last year’s Booker. I’ve read The Garden of Evening Mists, but haven’t felt inclined to try Narcopolis. There’s a readalong taking place of Kawakami’s The Briefcase as part of January in Japan, so you can expect a review of that on here by the end of the month.

Of the other two nominees, Orhan Pamuk falls into the category of well-known authors I’ve never got around to reading. I don’t know the historical background of Silent House, so it could be an interesting read. Farooqi, I knew nothing about at all – but Between Clay and Dust sounds like something that would chime with my sensibilities, so count me intrigued by that one.

The winner of the Man Asian Literary Prize will be announced in Hong Kong on 14 March.

Costa Book Awards 2012

The category winners of the Costa Book Awards have been announced:

Novel: Bring Up the Bodies by Hilary Mantel

First Novel: The Innocents by Francesca Segal

Biography: Dotter of Her Father’s Eyes by Mary M. Talbot and Bryan Talbot

Poetry: The Overhaul by Kathleen Jamie

Children’s Book: Maggot Moon by Sally Gardner

There are a couple of notable firsts for the Costas here: a graphic novel (Dotter of Her Father’s Eyes) taking one of the prizes, and an all-female roster of winning writers (Bryan Talbot being the illustrator of the biography).

Dotter of Her Father’s Eyes actually looks like the winner I’m most interested in investigating – graphic novels are a gap in my reading diet, and this could be a good title with which to start changing that.

 

 

Man Booker and SI Leeds Literary Prize shortlists

The Booker shortlist was announced this morning:

  • Tan Twan Eng, The Garden of Evening Mists (Myrmidon)
  • Deborah Levy, Swimming Home (And Other Stories)
  • Hilary Mantel, Bring Up the Bodies (Fourth Estate)
  • Alison Moore, The Lighthouse (Salt)
  • Will Self, Umbrella (Bloomsbury)
  • Jeet Thayil, Narcopolis (Faber and Faber)

I can’t really judge the quality of that shortlist, because I’ve read only two of them. I very much enjoyed The Lighthouse, so I’m pleased to see it on there (my review is linked above). I read Swimming Home last year and, though I didn’t warm to it personally, enough people have praised the book since that I feel inclined to revisit it at some point.

More generally, this shortlist is an enormous vote of confidence in British independent publishers – all three of the small presses on the longlist (Myrmidon, And Other Stories, and Salt) have made it through to the final six. I think that’s great news. This also seems a shortlist that’s in favour of unconventional approaches, which is interesting.

Which novel might win? The Mantel will probably be the favourite, but it looks to me like something of an odd one out on this list. I think the Self is a more likely front-runner – though actually I wouldn’t be surprised if the Levy or Moore books took the Prize. We’ll find out when the winner is announced on Tues 16 October.

***

I want to mention another literary award shortlist, which was announced yesterday. The SI Leeds Literary Prize is for unpublished fiction by Black and Asian women. Its six shortlisted titles are:

  • Katy Massey, The Book of Ghosts
  • Emily Midorikawa, A Tiny Speck of Black and Then Nothing
  • Karen Onojaife, Borrowed Light
  • Minoli Salgado, A Little Dust on the Eyes
  • Anita Sivakumaran, The Weekend for Sex, and other stories
  • Jane Steele, Storybank: The Milkfarm Years

The winner will be revealed on Weds 3 Oct at Ilkley Playhouse, as part of Ilkley Literature Festival.

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