Tag: Scratch Books

Women in Translation Month: Failed Summer Vacation by Heuijung Hur (tr. Paige Aniyah Morris)

Hello, it’s been a while. I have been taking a break from the world of blogging; hopefully now I can get back into it. August brings us Women in Translation Month, so here goes…

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If one word comes to mind when I’m thinking about the stories in Heuijung Hur’s Failed Summer Vacation (translated from Korean by Paige Aniyah Morris), it is ‘disconnection’. Disconnection in the characters, yes, but also in the fabric of the stories themselves. 

My favourite story is ‘Imperfect Pitch’, which introduces us to Baek, who drifts through life and spends most of his time checking a fancafe for the titular rock band. The band are defunct, but the cafe just about keeps going. The story begins with Baek reading about the death of O, a long-time fan of Imperfect Pitch, and a driving force behind the fancafe. 

From there, the story splits into three strands: there’s the fancafe in the present day, where it becomes apparent that no one really knew O, despite her centrality. There is the time Baek went to Imperfect Pitch’s farewell show, buying a ticket from O and picking it up from a station locker, without ever meeting her. Further back, there is Baek’s discovery of the band at university, and the time he performed one of their songs at a student society concert. 

In each strand, we then see people ultimately failing to come together despite being in institutions meant to facilitate that (the fancafe, the student music club). Likewise, the three strands remain separate on the page, apart from a striking moment that merges Baek’s student performance with the final Imperfect Pitch show – and which highlights Baek’s isolation even back then. 

(An extract from ‘Imperfect Pitch’ is available on the Wasafiri website.)

Failed Summer Vacation is full of striking images and imaginative turns, leading to stories that don’t necessarily lend themselves to easy interpretation, but instead nag at the mind. A good example is ‘Loaf Cake’, which begins with the narrator’s partner (housemate? companion?) Sand leaving the house, after which she, the narrator, loses the ability to speak. 

The narrator then needs to find a new means of connection, and she begins to find this with a baker named Snow and his delicious creations, especially the loaf cake that the narrator devours each time she visits his shop. Then Sand returns, but he appears to have walked so far that his very self is crumbling away. It’s the images and sensations that linger longest: as so often in these stories, there’s the nagging sense that true connection lies just out of reach of Hur’s characters.

Failed Summer Vacation is published by Scratch Books.


Scratch Books: The Unreliable Nature Writer by Claire Carroll

The protagonist of Claire Carroll’s story ‘Paddling Pool’ doesn’t really need to buy a paddling pool. But there’s nothing stopping that person from doing so – besides, it’s hot, and there’s the gentle voice of the narrator reassuring the protagonist that their choices are fine in the moment, even if the long-term consequences might be severe:

You might, years later, starving, dragging yourself along the beach in the unbearable heat, you might discover a fish, partially dried out on the orange sand. Peeling away at its skin, you might find microscopic parts of your paddling pool inside. But there’s no way you’ll ever be able to tell if it’s the same one, so don’t worry about that now.

That quotation was a powerful moment for me among a set of striking tales in The Unreliable Nature Writer (which is the first single-author collection from Scratch Books). Broadly, Carroll’s main theme is the relationship between humanity and nature, examined from a variety of angles. 

Some of the stories give form to a (perceived) distance between the human world and the natural, and look at what may fill the gap. For example, the narrator of ‘There Or Not There’ works on an advertising installation that places indoor objects among a patch of real woodland. Their work is supposed to be environmentally friendly, but it might have killed some nesting birds. The narrator’s doubts and self-reassurances give this piece its sharp edge. 

‘Re: Wreck Event’ creates uncertainty by giving two different versions of what happened on the day a couple split up. One partner writes an account which the other one annotates with footnotes, undermining most of the key details. The dead and dying birds on the ground that day become just another piece of this contested reality.

Carroll also ventures into the future (or sideways in reality) in some of her stories. ‘Dream Reading: On Higher Ground’ depicts extreme bureaucracy as housing applicants are chosen according to how well they describe their dreams – but also a raw euphoria at being in touch with nature. ‘The Sheer Delight of What You May Become’ juxtaposes a formal process for land to be acquired and returned to nature with the reality of what happens to the people displaced from that land. The interests of humans and nature are held in tension – which is what so often animates Carroll’s stories. 

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