Tag: Florence and the Machine

Mercury Prize 2009: Conclusion

I’ve come to the end of my journey through this year’s Mercury Prize shortlist (if you’ve missed them, my individual posts are here), so it’s time for some final thoughts, and a bit of pointless-but-I’m-going-to-do-it-anyway speculation on who might actually win.

My favourites

I must say I’m pleased that all the shortlisted albums have their own distinctive sounds, and work well as albums rather than just collections of songs. Having said that, there is one album on the list that stands out to me as being that bit more complete and well-crafted – so Lisa Hannigan is my pick of the shortlist. (Second place goes to Sweet Billy Pilgrim, whose album is of a broadly similar standard, but is let down by one track.)

Who will win?

Last year, the judges and I agreed over which album was best; but I suspect that won’t happen again this time. I find it hard to envision the quiet craft of Lisa Hannigan winning out over all the other contenders; but of course I’ll be delighted if proved wrong.

What of the others, then? I think the Prize is a very open field this year; it’s extremely difficult to mark out particular albums as being obviously stronger (or weaker) contenders. Nevertheless, I think we can discount a few straight away: I don’t hear anything in Led Bib’s album to make me think they will blaze a trail by becoming the first jazz act to win the Mercury. And the Kasabian and La Roux albums are the patchiest on the list, so I think the judges will find better candidates than those.

Taking the remaining acts in roughly descending order of fame: Bat for Lashes and Florence and the Machine are almost two sides of the same coin; combine the best aspects of both and you’d have an excellent album. As it is, I think both are in with a good chance; but I suspect the greater dynamism of Florence’s album will give her the edge.

Turning to the better-known guitar bands, Glasvegas are probably the most conventional act on the list; that may lessen their chances in this field, good as their music is. Friendly Fires are likewise good at what they do, but I think the judges may go for a more varied album. The dramatic atmosphere of The Horrors’ album probably gives them the best chance of the three.

That leaves three acts who were largely unknown before the Mercury nominations (hopefully they will not remain so for much longer!); and I think The Invisible, Speech Debelle, and Sweet Billy Pilgrim are all in with a shout. Sweet Billy Pilgrim may have a slight edge, but all three are genuine contenders.

It’s a tough call, but I have a feeling that, in the end, it will come down to a contest between Florence and the Machine and The Horrors, and that Florence will take it.

Of course, I’m just guessing here, as I’ve no real idea what the judges will think. But I do know this: the Mercury Prize in 2009 is a genuinely open contest which both the best-known and most obscure acts have the potential to win. I look forward to hearing the announcement tomorrow night.

Mercury Prize: Florence and the Machine – Lungs

Video: ‘Rabbit Heart (Raise It Up)’

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I’m aiming to go through the Mercury shortlist in something approaching alphabetical order; and it’s interesting to be covering the album of Londoner Florence Welch straight after Bat for Lashes, because the two are in some ways the flipside of each other. Both have a kind of fairytale vibe running through their music; but if Natasha Khan’s work is ethereal and delicate, Florence and the Machine‘s is quite the opposite.

Lungs is a pretty appropriate album title, because Florence has a very powerful voice; unfortunately, she hasn’t yet figured out how to use it to best effect. Her songs build and build – but sometimes build too much, and it’s a fine line to tread. When she gets it right, the results are fabulous, as on ‘Rabbit Heart (Raise It Up)’, which captures the epic atmosphere I think Florence is aiming for most of the time. Or ‘Between Two Lungs’, which is about as close as the album gets to a ballad, and has a similar widescreen feel, but more held in.

The problem, though, is that Florence has a tendency to overdo it. So we get songs like the swing-style ‘Girl With One Eye’, which is oversung to the extent that it’s quite a trial to listen to; or ‘Kiss With a Fist’, which cranks up the noise in an attempt at straightforward punk-pop but ends up sounding pretty drab compared to the rest of the album. In sum, Lungs is promising, but it could have done with more subtlelty.

Video: ‘Dog Days Are Over’ (live)

Read my other Mercury Prize 2009 posts here.

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