Tag: fiction

Greek Lessons by Han Kang: a Shiny New Books review

Back in 2015, I read The Vegetarian by Han Kang (tr. Deborah Smith). I loved it, and went on to be my favourite book of the year. Human Acts was my favourite book of the following year, too. Han became a must-read author for me, which brings me to her latest book in translation.

Greek Lessons (tr. Deborah Smith and Emily Yae Won) concerns a language learner who’s lost the ability to speak, and a language teacher losing the ability to see. It’s about the intimacy of language, and how these two characters eventually forge a connection. I’m please to have reviewed it for Shiny New Books, which is also where I reviewed The Vegetarian.

Read my review of Greek Lessons here.

#InternationalBooker2023: the shadow panel’s shortlist

After the official International Booker shortlist, it’s time for the shadow panel to announce ours. We’ve done our usual process of reading and scoring. Here are the six books that have risen to the top for us:

  • While We Were Dreaming by Clemens Meyer, translated from German by Katy Derbyshire (Fitzcarraldo Editions)
  • The Birthday Party by Laurent Mauvignier, translated from French by Daniel Levin Becker (Fitzcarraldo Editions)
  • Is Mother Dead by Vigdis Hjorth, translated from Norwegian by Charlotte Barslund (Verso)
  • Time Shelter by Georgi Gospodinov, translated from Bulgarian by Angela Rodel (Weidenfeld & Nicolson)
  • Whale by Cheon Myeong-kwan, translated from Korean by Chi-Young Kim (Europa Editions)
  • Boulder by Eva Baltasar, translated from Catalan by Julia Sanches (And Other Stories)

So, half of our shortlist is the same as the official one, but – as I predicted in my post on the official shortlist – we have gone in quite a different direction overall. I’m sure we will have some interesting discussions on the way to our shadow winner.

The official winner of the International Booker Prize will be announced on 23 May, and we’ll reveal our shadow winner shortly before then.

Three new reviews: White, Mayo, Voetmann

Today’s post is rounding up a few reviews I’ve had published elsewhere. First off is an Irish novel from Tramp Press, Where I End by Sophie White, which I’ve reviewed here for Strange Horizons. This is the tale of Aoileann, who lives an isolated existence looking after her bedridden mother. It’s not until an artist and her baby son visit Aoileann’s island that she realises what she’s been missing in terms of human connection. What particularly struck me about White’s novel is the way it creates its own little fairytale horror world without ever invoking the supernatural. Aoileann becomes both a source and victim of horror in an intimate piece of work.

The European Literature Network has recently launched The Spanish Riveter, the latest issue of its occasional magazine on European writing. This one has almost 300 pages of articles, extracts and reviews of translated literature from Spain – including a review of mine. I’m looking at a Catalan novel from 3TimesRebel Press: The Carnivorous Plant by Andrea Mayo (tr. Laura McGloughlin). It tells of an abusive relationship, and challenges the reader to understand what it was like for the protagonist, and why she stayed in that situation. The Spanish Riveter is available as a PDF here; you’ll find my review on page 91.

My last stop is Denmark, and Awake by Harald Voetmann (tr. Joanne Sorgenfri Ottosen, pub. Lolli Editions). This is a novel about Pliny the Elder, and his attempt to catalogue the world and its knowledge in his Naturalis Historia. Voetmann brings Pliny’s world to life, and explores the limits of what he could achieve. I’ve reviewed this one for European Literature Network in their regular review section here.

#InternationalBooker2023: Still Born by Guadalupe Nettel (tr. Rosalind Harvey)

Mexico is my latest stop on this year’s International Booker journey. Still Born examines changing feelings about motherhood, through the experiences of two thirtysomething female friends. Both were sure at one time that they didn’t want to have children, and Laura, the narrator, had her tubes tied. 

Laura’s friend Alina starts to feel different, and becomes pregnant after fertility treatment. But she’s faced with a difficult situation when she learns late in the pregnancy that her baby will not be able to support itself independently – yet she’s also advised that going to term will help with any future pregnancy. Then, when baby Inés is born, she survives – albeit with brain damage. So Alina has to rethink her relationship to Inés several times, a process that Nettel traces sensitively. 

Laura, for her part, finds herself stepping in to look after her neighbour’s young son, at the same time as her relationship with her own mother is coming under strain. Through this set-up, Nettel explores her subject from multiple angles, in a thought-provoking piece of work. 

Published by Fitzcarraldo Editions.

Click here to read my other posts on the 2023 International Booker Prize.

#InternationalBooker2023: A System So Magnificent It Is Blinding by Amanda Svensson (tr. Nichola Smalley)

A set of triplets is born in Sweden in 1989. Their lives are eventful from the start, as one is quickly whisked away to have treatment for breathing problems. By 2016, the siblings are living very separate lives. Sebastian works as a cognitive scientist in London, though the nature of what his organisation does is so secret, even he doesn’t know exactly what his work involves. Clara is trying to revive her journalistic career by reporting on Easter Island’s environmental degradation. Matilda left her home country looking for love, and is now back in Sweden with a relationship and stepdaughter. The revelation of a family secret is about to bring the triplets back together.

A System So Magnificent is a big, digressive novel with a real energy to its writing, nicely captured in Nichola Smalley’s translation. For example:

First came the triplets, then the drama and the tears, and the drama again. Then almost twenty-three years’ ceasefire. But the day finally came when the last of the three triplets left home: the first-born, Sebastian, who, perhaps because he’d been the first to leave the womb, had the most difficulty flying the nest, even though he flew no further than to a room in the local student halls. The same day, their father moved into a single room at the local hotel. It didn’t even have a minibar, but there were stars outside the window – indeed, the whole universe. He looked out of the window and for the first time in his life it struck him that the universe was very, very big and that a person, in comparison, was very, very small.

Translation from Swedish by Nichola Smalley

In this paragraph, there’s rhythm, repetition, shifting imagery, and a casual switch from the human scale to the vast universe. It’s appropriate for a novel concerned with the question of whether there is a system underpinning the apparent connections and parallels in its characters’ lives. This book is an intriguing journey.

Published by Scribe UK.

Click here to read my other posts on the 2023 International Booker Prize.

#InternationalBooker2023: the official shortlist

On Tuesday, the official shortlist for this year’s International Booker Prize was announced:

  • Still Born by Guadalupe Nettel, translated from Spanish by Rosalind Harvey (Fitzcarraldo Editions)
  • Standing Heavy by GauZ’, translated from French by Frank Wynne (MacLehose Press)
  • Time Shelter by Georgi Gospodinov, translated from Bulgarian by Angela Rodel (Weidenfeld & Nicolson)
  • The Gospel According to the New World by Maryse Condé, translated from French by Richard Philcox (World Editions)
  • Whale by Cheon Myeong-kwan, translated from Korean by Chi-Young Kim (Europa Editions)
  • Boulder by Eva Baltasar, translated from Catalan by Julia Sanches (And Other Stories)

It always fascinates (and frustrates!) me how different groups of people come to different conclusions on the same set of books. There are some good books on this shortlist, though it wouldn’t be my personal selection – and I suspect our Shadow Panel shortlist (which we’ll announce on Tuesday 2 May will also be quite different.

Tony from the Shadow Panel has his thoughts on the official shortlist here.

#InternationalBooker2023: Jimi Hendrix Live in Lviv by Andrey Kurkov (tr. Reuben Woolley)

I’ve read Andrey Kurkov twice before, and have come to expect his novels to be larger than life, slightly to one side of reality. Jimi Hendrix Live in Lviv is no exception. It begins with a group of hippies who meet at a certain cemetery in Lviv each year on the anniversary of Hendrix’s death, because his hand is said to be buried there. This time (2011), a former KGB officer joins the group, and teams up with one of the hippies to investigate some mysterious local phenomena. 

We also meet a cab driver whose particular speciality is driving in a way that helps dislodge his passengers’ kidney stones. He’s in love with a girl who is allergic to money but works in a bureau du change… Yes, that sounds like a Kurkov novel to me. 

Jimi Hendrix Live in Lviv was originally published in 2012, and reading it now, it does feel a bit like something from a more light-hearted time. Nevertheless, it’s enjoyable to spend time with these characters and see their world – which, after all, is just what I’d expect from Kurkov. 

Published by MacLehose Press.

Click here to read my other posts on the 2023 International Booker Prize.

#InternationalBooker2023: Boulder by Eva Baltasar (tr. Julia Sanches)

Another new language for the International Booker: this is the first nominee translated from Catalan. It’s short and intense, which are both things I like. Baltasar’s narrator is an itinerant cook. She’s not one for settling down, and pours her energy into her work.

Things change when she finds on a merchant ship and meets Samsa, a geologist who nicknames her Boulder. Samsa gets a job in Iceland and the pair’s relationship moves beyond the physical. But Samsa is looking for the kind of orderly life which is ultimately anathema to the narrator. Then Samsa announces that she wants to have a baby, subsequently giving birth to Tinna. At each stage, Boulder finds herself considering what she really wants and how to relate to Samsa (and Tinna).

Baltasar’s novel is dense with imagery, which brings you close to the narrator:

My hands are knives, basting brushes, squeezers. I use them to manipulate food and also plunge them inside my head, where they braise the desire that occupies and perishes me. Desire cannot be killed, it can only be fermented and rocked to sleep. I cook to save myself. I cook ceaselessly. Tinna’s laughter mixes like foam into peaks of sugar and egg whites. She plays hide-and-seek and shrieks with excitement when Samsa pretends that she can’t find her and calls me over. Her voice trickles along the kitchen living-room floors, like a vinegar that can bleach me and break me up.

Translation from Catalan by Julia Sanches

Boulder finds her way in time, though it may not be quite where she anticipated. To be with her on the journey is quite something.

Published by And Other Stories.

Click here to read my other posts on the 2023 International Booker Prize.

#InternationalBooker2023: The Birthday Party by Laurent Mauvignier (tr. Daniel Levin Becker)

Well, this turned out to be quite a page-turner. From one angle, that’s not so surprising, as there’s plenty of suspense in the set-up. In rural France, artist Christine has been receiving threatening letters. Her neighbour Patrice is getting ready to celebrate his wife Marion’s fortieth birthday. But some mysterious figures are watching, waiting to intrude on the party. 

In other ways, The Birthday Party might seem the opposite of a page-turner, because it’s slowly paced and densely written. For example, here is Patrice trying not to contemplate that Marion may be unhappy in their relationship:

…he doesn’t think to himself that his wife goes out of her way to come home late, as though trying to avoid the moment where it’s the three of them together, no, he pushes away this thought that sometimes tries to force its way past the barrier he’s built up against it, a fraction of a second every night, sometimes more than a second, a few seconds, then, when the thought gets loose and spreads across his mind, but each time he rejects this bad, this acid idea that would have Marion go out of her way to come home as late as possible, no, that’s not true…

translation from french by daniel levin becker

I love the rhythm of this writing, a fine translation. Mauvignier’s prose combines this constant flow of interiority with sudden interruptions of action, and this technique is what makes the novel so propulsive for me. There are secrets and turns throughout, right up to the end – and we’re kept so close to the characters, too. 

Book published by Fitzcarraldo Editions.

Click here to read my other posts on the 2023 International Booker Prize.

#InternationalBooker2023: Pyre by Perumal Murugan (tr. Aniruddhan Vasudevan)

Now I’m moving on to the first novel translated from Tamil to receive an International Booker nod. The last book of Perumal Murugan’s that I read was the fable-like The Story of a Goat. Pyre takes more of a realist tone, yet still has heightened aspects of its own. 

The novel begins with a couple, Saroja and Kumaresan, getting off the bus:

Beyond the tamarind trees that lined the road, all they could see were vast expanses of arid land. There were no houses anywhere in sight. With each searing gust of wind, the white summer heat spread over everything as if white saris had been flung across the sky. There was not a soul on the road. Even the birds were silent. Just an action dryness, singed by the heat, hung in the air. Saroja hesitated to venture into that inhospitable space.

translation from tamil by Aniruddhan Vasudevan

Straight away, we have a vivid sense of place, and the feeling that all is not going to be well. Saroja and Kumaresan met and fell in love in her home town, where Kumaresan had gone for work. Now married, they have come to live in his village. The problem is, they are of different castes. 

Whenever anyone asks about Saroja’s caste, Kumaresan tries to deflect attention by saying she’s of the same caste as him and everyone else in the village. But this is not enough: questions and gossip persist, and haunt the narrative. Murugan never actually specifies whether Saroja is of a higher or lower caste, which is one of the little touches that, for me, contributes to a heightened atmosphere. Murugan builds up the tension over where this will go, to a striking ending. 

Book published by Pushkin Press.

Click here to read my other posts on the 2023 International Booker Prize.

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