CategoryRaisin Ross

Granta Best Young British Novelists 2013: Ross Raisin

My Ross Raisin anecdote goes like this: I heard him read from his second novel, Waterline (during which he gamely affected a Glaswegian accent to match the narrator), at the first Penguin General Bloggers’ Night. We got talking afterwards, and I mentioned that we were from the same county – though, as an ardent supporter of Bradford City FC, he wasn’t best pleased to learn that I was from Huddersfield (all in good humour, though, I should add!).

Anyway, Raisin is one of the Granta novelists whom I’ve meant to read, but not yet got around to (I’ve heard such good things about God’s Own Country, I really must read it). ‘Submersion’ is a new and complete story to end the Granta anthology; it sees a pair of siblings heading back to their flooded home town when they see news footage of their father being carried away by the water, still sleeping in his armchair. It’s a strange story that floats on reality like debris caught in the flood. It underlines that I should read more of Raisin’s work – as is the case with a good number of the authors on Granta‘s list.

This is part of a series of posts on Granta 123: Best of Young British Novelists 4Click here to read the rest.

Seven Penguin authors

Earlier this week, Penguin Books held a reading event with seven of their authors, each on their first or second novels. A bunch of bloggers and friends gathered at the Union Club in the heart of London to hear about some new books – and it was a very enjoyable evening.

First up was Joe Dunthorne, whose debut novel, Submarine, has just been made into a film. He read an extract from Wild Abandon, about young Albert, who is convinced the world will end in 2012. Attempting to dispel his fears, the boy’s mother persuades Albert to imagine a conversation with his sixteen-year-old self, thereby reassuring himself there is life beyond a couple of years hence. But the plan doesn’t quite work out as Albert’s mum intended… The conversation that Dunthorne read out was very funny, and I’m sure I’ll be checking out Wild Abandon when it’s published in August, and perhaps also Submarine before then.

Luke Williams’ The Echo Chamber (due in May) was already on my radar because it has the sort of crossover speculative premise (the life of a woman with preternatural abilities of hearing) that particularly appeals to me. I’m not sure how well I can judge from the opening extract Williams read here just what The Echo Chamber will be like as a whole (and he did say that the novel goes through a number of styles as it progresses), but it is still a novel I want to investigate.

The next author was Jean Kwok, whose novel Girl in Translation concerns Kimberly Chang, who moves with her family from Hong Kong to a squalid apartment in Brooklyn, and finds herself caught between the worlds of great achievement at school, and working in a factory at night to help make ends meet. Kwok told how she drew significantly on her own life experiences for the novel, which sounds an interesting story.

I’ve been meaning to read God’s Own Country, the first novel by Ross Raisin – a fellow native of West Yorkshire – for some time now. I will get around to it – honest. Tonight, Raisin was reading from his forthcoming book, Waterline (to be published in July), which is set amongst the shipyards of Glasgow. As it’s written partly in dialect, Raisin said, it didn’t sound right in his natural voice; so he affected a Glaswegian accent to read his extract. How good he was, I’m in no position to judge; but the extract itself was nicely atmospheric, and bodes well for the whole novel. I’ll probably read God’s Own Country first, though.

On now to Rebecca Hunt, whose novel Mr Chartwell was the only one of the seven featured writers’ that I’d already read. Essentially it’s the story of Churchill’s Black Dog of depression come to life, well worth a look. Hunt was an excellent reader; had I not known about the novel already, the strength of her reading alone would have made me want to seek it out.

Helen Gordon’s debut, Landfall – about an art journalist reassessing her life when she moves temporarily back to the suburbs – is not published until October, so it was quite a treat to hear an excerpt of it so early on. The snapshot Gordon read was a conversation between the protagonist and her daughter during a car journey; again, I’m not sure how much of a sense of the wider novel I have from this, but it was a nicely observed extract and I am intrigued.

The final author to read was Hisham Matar, a Booker nominee for his first novel, In the Country of Men. He read an excerpt from his newly-published second book, Anatomy of a Disappearance, which concerns a boy dealing with the disappearance of his father. Matar’s description was vivid, and left me wanting to read more. A fine conclusion to a strong set of readings.

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