Category: Albanian

#InternationalBooker2024: A Dictator Calls by Ismail Kadare (tr. John Hodgson)

At the centre of A Dictator Calls is an examination of a short phone call made on 23 June 1934 by Stalin to Boris Pasternak. The subject of the call was the recent arrest of Pasternak’s fellow poet, Osip Mandelstam. But its precise details are uncertain, because there are multiple accounts of the call, ranging from the official record to second-hand accounts by people of varying proximity to Pasternak. 

Kadare goes through each version of the call, drawing out the differences and varying interpretations. There’s no single definitive account of exactly what Stalin asked Pasternak, or how Pasternak replied, or even why the call took place. Different versions put different slants on these things, and the ultimate impression is one of no stable reality – which, the book suggests, reflects the nature of living and writing in a totalitarian state. 

Alongside his exploration of the Stalin-Pasternak call, Kadare gives an account of his own experiences as an Albanian writer. This puts into context his interest in the Stalin-Pasternak  call, as well as setting up a counterpoint that runs through the tapestry of the novel.

Published by Harvill Secker.

Click here to read my other posts on the 2024 International Booker Prize.

The Traitor’s Niche: Man Booker International Prize 2017 

Ismail Kadare, The Traitor’s Niche (1978)

Translated from the Albanian by John Hodgson (2017)



At the centre of the Ottoman Empire, carved into Constantinople’s Cannon Gate, the Traitor’s Niche lies ready to host the severed head of the latest individual to rebel against or displease the sultan. Abdualla is guardian of the niche; when not inspecting the head, he watches the people in the square, silently.


At the edge of empire, Hurshid Pasha has suppressed the latest rebellion of the province of Albania. He is presented with the head of Ali Tepelena, Albania’s ill-fated governor. The head is duly given to the sultan’s courier, Tundj Hata, who takes it back to Constantinople – but not without charging a few villagers for the privilege of seeing it along the way.


The Traitor’s Niche was my first Kadare novel, but I don’t intend it to be the last – in Hodgson’s translation, his brisk prose is delightful to read. What appears to be simply a yarn becomes more serious as Kadare reveals the lengths to which the empire will go to suppress opposition, as it seeks to extinguish languages, folk traditions, even memories. The novel then revolves around contests for human and cultural spaces: the head in the Traitor’s Niche commands the attention of those in the square it overlooks; if the empire extinguishes a culture in thought and practice, its former people wander lost in an empty human space that can easily be stepped into. 


The original Albanian version of The Traitor’s Niche was published in 1978; there may well be some parallels between the political situation at that time and the world of the book, parallels I’m missing because I don’t have that context. Nevertheless, I found much to enjoy and think about in Kadare’s novel as I found it.



Should this book reach the MBIP shortlist?


Lacking any deeper background knowledge, I have to consider The Traitor’s Niche primarily as an enjoyable novel to read – which, when it’s done this well, goes quite a long way. Even so: compared to the experience I’ve had reading some of the other longlisted books, is that enough for the shortlist? Well, maybe. It would be a close call. But maybe.

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