Month: August 2010

Joe Hill, ‘The Devil on the Staircase’ (2010)

And so, we reach the climax of the anthology, and this is a great way in which to end it. Hill tells of a boy who lives in Italy (towards, I’d surmise, the end of the 19th century), in a mountain village accessible only by a network of staircases cut into the cliffs. The boy has eyes for his cousin, Lithodora, and one day kills her lover in the heat of the moment. He then encounters a devil in the form of a child, who gives him a tin bird that sings a beautiful song when told lies.

Hill’s telling has the flow of a folktale; the rhythm of his prose is emphasised by the downward slopes in which the text is arranged on the page. Add to this a neat metaphorical undercurrent (the tin bird comes to represent the spread of propaganda), and you have a fine story indeed.

Rating: ****

Elsewhere
Joe Hill’s website

Elizabeth Hand, ‘The Maiden Flight of McCauley’s Bellerophon’ (2010)

A museum exhibit designer takes it upon himself to restage the first flight of the Bellerophon, a Heath Robinson-esque aircraft which crashed in mysterious circumstances, and of which only a few seconds of film footage survives. At fifty pages, this is the longest story in the anthology — but it zips along so briskly that it feels only half its length. Told with brio, Hand’s tale is great fun, and saves a moment of real poignancy for the end.

Rating: ***½

Elsewhere
Elizabeth Hand’s website

Curtis Sittenfeld, Prep (2005)

Prep is my second choice in the Transworld Summer Challenge. I chose it because a) i didn’t want all my selections to be by men; and b) this was the only book by a female author on the list that sounded as though it might be of interest (I say this without knowing whether ‘Tim Davys’ is the pseudonym of a male or female writer). It probably wouldn’t have appeared on my radar if not for the challenge… and there’s a big ‘but’ stopping me fully from celebrating the fact that it did.

Prep chronicles four years in the life of Lee Fiora, a girl from Indiana who gains a scholarship at Ault, a prestigious Massachusetts prep school. The book is structured episodically, effectively becoming a series of linked novellas that reveal how Lee struggles with the reality of life at Ault being very different from the rosy image presented in the glossy brochure, and the difficulties she faces finding her niche in the school as an outsider.

What Curtis Sittenfeld does particularly well here is capture something of the confusion and contradictions of teenage life, those years when identities are still being formed, the perceptions of others seem so vital, and friendships are constantly in flux. Lee is never quite sure what she wants from her life at Ault (‘I was always worried someone would notice me, and then when no one did, I felt lonely’ [25]). Her relationships with her fellow-students can be fluid: for example, the way Lee and Cross Sugarman, the class basketball star, behave towards each other resembles an elaborate dance – moving closer together, then further apart, then again closer; they never become anything as straightforward as boyfriend and girlfriend. Lee puts on an air to get by at Ault, then finds it taking over as her real self. One senses just how difficult these waters are for her to navigate.

Sittenfeld does something else with Lee’s character that makes the depiction of her more interesting – and, I suspect truer. Lee is not easy to warm to: she can be cold and selfish; she can push away people who like her. For all that she goes on about not having friends at school, Lee seems uncomfortable if people get too close to her – when one character tells her that her tendency to spend time alone is not as strange as she thinks it is (because anybody dedicated to a pastime has to spend time alone on it), to be understood in that way is ‘the most terrifying thing in the world’ (453) to her. Lee is a complex character, and it’s her characterisation which is at the core of Prep.

Now for the ‘but’ – I think Prep is too long to sustain the story that it wants to tell, particularly as Lee’s character doesn’t seem to change all that much over the course of the novel. I think it could probably still work at even half its length. That quibble aside, Prep is an incisive study of a teenager not just trying to fit in, but trying to decide if she even wants to fit in.

Elsewhere
Some other reviews of Prep: Iris on Books; Amused, Bemused and Confused; Fervent Reader; The Bookish Type.
Curtis Sittenfeld’s website

July round-up

I thought I’d start doing a more detailed end-of-month post (partly modelled on what Jackie does at Farm Lane Books), and list everything I’ve reviewed in the month. Which, in July, was a fair amount, and pretty much all of it worth reading. My pick of the month is The Radleys by Matt Haig, which might be the most enjoyable book I’ve read all year. (An honourable mention must also go to An A-Z of Possible Worlds by A.C. Tillyer, which is excellent, but which I read last year and only got around to reviewing now.)

My full list of book reviews for July is:

Matt Haig, The Radleys [****]

A.C. Tillyer, An A-Z of Possible Worlds [****]

Nnedi Okorafor, Who Fears Death [****]

Tim Davys, Amberville [***½]

Maria Barbal, Stone in a Landslide [***½]

Jonathan Lee, Who Is Mr Satoshi? [***½]

Rowan Somerville, The Shape of Her [***½]

Douglas Thompson, Ultrameta [***½]

Nick Arvin, The Reconstructionist [***]

Jonathan L. Howard, Johannes Cabal the Necromancer [***]

***

Also on the blog in July:

I reviewed issue 15 of Pen Pusher Magazine.

I posted the Man Booker longlist, and gave my thoughts on its lack of genre fiction.

I suggested some ways in which books and TV shows could keep old tropes fresh.

I continued to work my way through the Gaiman/Sarrantonio Stories anthology.

***

Finally, looking forward, here are the books published in August which have so far caught my eye, and will hopefully feature on the blog:

Sean Ferrell, Numb

Tom McCarthy, C

Gabe Rotter, The Human Bobby

Jess Walter, The Financial Lives of the Poets

Mark Watson, Eleven

***

How was your July in reading?

Michael Moorcock, ‘Stories’ (2010)

I don’t quite know what to make of this. ‘Stories’ is the first-person account of a magazine editor reflecting on his friendship with a writer named Rex Fisch, who has recently committed suicide. The idea of telling stories in both fiction and real life runs through this piece, and Moorcock is doing something of this himself here — his narrator is named ‘Mike’ and apparently modelled on himself, whilst Rex Fisch and the other characters are apparently fictional. I’ve no idea how far Moorcock has fictionalised his own life in the story — and therein lies the difficulty I had connecting with it.

The portrait of the characters’ lives and relationships is interesting enough; but I couldn’t shake the feeling that I needed to know more about Moorcock’s life (and, perhaps, his work) to really appreciate this story. That’s why I’ve ended up feeling ambivalent about it.

Rating: ***

Elsewhere
‘Moorcock’s Miscellany’ website

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